This is one of the stories from my book, Myths & Legends of Tea Volume 1. I will post the conclusion tomorrow [Update: here it is]. If you just can’t wait, no problem! The Amazon Kindle edition and the Apple iBook edition are online and waiting for you, and you can have all of the stories from Volume 1 right now!
Each story is followed by notes about the tea and how to prepare it. I hope you enjoy the stories!
It was the reign of the Qianlong Emperor, the sixth emperor of the Qing Dynasty in China, but our story concerns no emperors, warlords, or nobles. It is just a tale of a humble farmer by the name of Wei.
Wei lived in Anxi Country in the Chinese province of Fujian. People there were struggling with hard times. Fujian, they say, is eight parts mountain, one part water, and one part farmland. Wei’s tiny village was no exception. He and his neighbors grew what they could. A bit of wheat, a bit of rice, and a few sweet potatoes were enough for most of them to get by.
Their favorite crop was tea. They worked hard to produce good tea, using the complex oolong production style. Their process wasn’t bad but the result was usually mediocre, as it came from poor stock.
“Oh, well,” they used to say. “You can’t get silk from an earthworm.”
Each week, Wei would go to market in the city. Each week, he passed an old temple that had fallen into disrepair. The pathway was overgrown, the gates had fallen, and it appeared that nobody had worshipped there in a very long time. It was such a part of the scenery that Wei walked by it without even seeing it.
Like the rest of his village, Wei was a Buddhist. It’s difficult to describe how Buddhism works to Westerners like us, as the Buddha himself isn’t considered a god but an enlightened being. What we often refer to as gods and goddesses in Buddhism, actual Buddhists would call bodhisattvas. The temple Wei passed each week was built for the Bodhisattva Guanyin, whom you or I might call the Goddess of Mercy.
One particular day – a day that would become a major turning point for Wei, Wei’s village, and lovers of tea everywhere – Wei stopped on the road to rest. Not that stopping on the road was an unusual occurrence. The trip was long and Wei was not as young as he used to be. On this very notable day, however, he stopped right at the pathway to the temple of Guanyin.
After Wei set down his heavy load, he pushed back his hat and wiped the sweat from his forehead. What used to be the temple’s garden was surrounded by a small rock wall, more decorative than functional. It would do no good at keeping out deer or rodents, and in its current tumbledown state, even a rabbit could hop right through in several places.
Once, the flowers and cherry trees of the garden had been carefully-tended, but that was long ago. The undergrowth almost completely obscured the path, bushes had grown tall and scraggly, and the unpruned cherry trees blocked the sun to the flowers. At least, he thought, the wall provides a place to sit and the trees give me shade.
He looked down the pathway, wiped his sleeve across his forehead again, and thought about the temple.
Guanyin is the Goddess of Mercy, he thought. Okay, perhaps he called her a bodhisattva rather than a goddess, but he was, after all, Chinese, and neither goddess nor bodhisattva is a Chinese word, so I shall use the more familiar word in my telling of Wei’s story.
It is not seemly that we should treat Guanyin’s temple with such disrespect, he continued to himself. We should show … well … mercy.
He picked up his wares and continued to market, but his moment of epiphany (or dare I say, enlightenment?) stuck with him throughout the day. The following week, he brought some old gardening tools with him and stashed them beside the pathway on his way to market. He hurried through the selling of what little he had to sell and the buying of what little he could afford to buy, and then he headed home.
When Wei reached the temple, he retrieved his tools and began clearing the path. Carefully, he pruned back the bushes that encroached on the pathway. Thoughtfully, he trimmed the tree branches that overhung the walk. Delicately, he pulled the weeds from the path itself. Soon, the sky began to redden as the sun fell in the west, and he secured his tools behind the rock wall and went home, a bit disappointed that he had cleared only the beginning of the path.
Over the following weeks, Wei repeated the process. Sometimes he would clear the plants. Sometimes he would fix the flat rocks and fill in gaps to smooth the path. Sometimes he would leave the path alone for an evening and work on the wall. He made a special trip with a friend from the village to fix the gate.
This continued until the path was clear all the way to the temple entrance. Pleased with his progress, he lit a candle and stepped into the temple itself.
The sorry state of the exterior was nothing compared to the disrepair of the inside. Webs occupied the corners of the room, and spiders occupied the webs. Dust was everywhere. The offering bowl was reduced to ragged shards, and vines crept in the windows. A mouse skittered across the floor, and a snake watched hungrily from behind the altar. But Wei noticed none of it. All of his attention was drawn to the statue of Guanyin.
There she sat! The center of the temple was dominated by the statue of a beautiful maiden meditating. In her lap she held a fish basket. Although the statue was dirty and old, it was unbroken and the fine details of her necklace and her Tang Dynasty clothing were clear. Wei thought he could see sadness on that lovely face, and it nearly broke his heart.
He stood staring at Guanyin for many minutes, finally breaking his reverie to look about the room. To one side was a painting of Guanyin with a child on each side and a white parrot above. A beetle crawled across the frame. Even the painting looked sad, he thought.
Wei was touched by the experience and vowed that he would get rid of that melancholy look. He continued coming back each week on his way home from market. On one visit, he brought a stick long enough to take down the spider webs. Of course, he carefully took the spiders outside without harming them. Guanyin is, after all, the Goddess of Mercy.
The next week, he brought a broom and swept out the temple. The next, he delicately dusted the statue itself. He found the nest the mice had built and moved it outside. The snake, he scooted out the door with the broom. This had to be repeated several times as snakes can be stubborn once they’ve chosen a home.
The next time he stopped at the temple, he looked at the shattered bowl in front of Guanyin’s statue. He carefully gathered the pieces of the broken offering bowl in the sleeve of his robe and took them home. He set the pieces on his table and studied them. Wei was a simple farmer. He didn’t have the skills to repair the bowl. But perhaps he knew someone who did.
Wei once again gathered up the bowl fragments and carried them to the home of his good friend Wang, the potter. Wang invited Wei into his home and went immediately to the teapot. After all, when a friend visits, it is important to serve them tea.
As the water heated, Wei began to tell Wang about the temple. Wang listened as he carefully measured out the leaves. At first, the tale did not interest him much, for China is filled with old temples and roadside altars. Some are well-kept. Some are not.
As large bubbles began to form and rise through the water (the Chinese people call this stage “fish eyes”), Wang put the tea on to steep. When Wei started to tell him about the offering bowl Wang’s ears perked up.
“I do not know how to fix the bowl,” Wei told him, “and I do not have the money to buy one.”
“Let me look,” Wang said, and Wei spread out the pieces before him. Wang became so engrossed in studying the broken bowl that he almost forgot to pour the tea. He was so distracted that he hardly noticed the muddy flavor and the bitterness of their tea. When you can rarely afford to buy good tea, you soon become accustomed to poor tea.
“Can you repair this,” Wei asked anxiously, “or perhaps make another one like it?”
“Where will you get the money to pay for it?” Wang responded. “I am very busy and must make many bowls to sell so that I can feed my family. And Guanyin’s temple is your project, not mine.”
“You are my friend, Wang. When you were sick last summer, who brought tea and rice for you and your wife? When the monsoon rains came early two seasons ago, who helped you to make a ditch to drain your wheat field and irrigate your rice properly?”
“You are right, Wei. I am sorry. Friends help their friends. I shall make you a proper bowl. I cannot do it today, and maybe not for a couple of weeks, but I will make a bowl that you will be proud to give to Guanyin.”
And so things went. Wei replaced the offering bowl with the one that Wang made him. He pruned the trees. He found an inexpensive incense burner and set it in a nook on the wall. He took a pitcher of water and washed the statue. He kept the pathway clear. He even planted some flowers. And every week he lit incense and meditated before he left.
Tune in tomorrow for the conclusion to Wei’s story!
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I’m bringing back the old January tradition that I skipped last year, which is reviewing my tea bar’s most popular loose-leaf teas of the previous year. This time, it’s a little different. In the 2011 and 2012 summaries, I just looked at the overall bestsellers. This time, I’m going to break it down by category.
I don’t want my blog to be a commercial for the shop, but on the other hand, I do want to provide links to the tea bar’s website, in case readers are interested in trying out any of these teas. As a compromise, if you see a regular link in this post, it goes to another post in my blog. If you see the name of a tea italicized in square brackets [like this], it goes to that tea’s page on shop’s website.
My Scottish breakfast blend, which I call [Gary’s Kilty Pleasure] remains the top-selling unflavored black tea for the fourth year in a row. There’s something about the complementary maltiness of the estate-grown Assam and strong traditional flavors of the Mount Kenya black teas that really works together.
The classic [organic tieguanyin], a.k.a. Iron Goddess of Mercy, topped the straight oolong charts. It is medium-roasted and lightly-oxidized, using traditional bamboo coal baking techniques. Most of our oolong drinkers like the flavored options, however, and mango was the top flavor of choice.
Overall, [organic Jasmine Green] did the best. There’s something about the delicate aroma of jasmine that really adds to the flavor of a good green tea. Of the unflavored, unscented green teas, it was Dragonwell (longjing) by a big margin!
Our new Shou Mei narrowly edged out the [Yin-Zhen Silver Needles Supreme], even though it hasn’t made it to our website yet. On the flavored side, the [Peach Blossom White] blew away all of the competition. We don’t serve many cups of it hot, but it’s far and away the most popular iced tea at the bar.
It’s really hard to pin this one down. We get one answer if we measure sales by the ounce of loose-leaf tea sold, but a very different answer if we take into consideration all of the compressed pu-erh (beeng cha, tuo cha, brick, and so forth). In total mass, this year’s winner would have to be ripe “wild” pu-erh bricks from 2005.
We have nine different Earl Grey blends, but the organic, fair trade [Ancient Tree Earl Grey] has not only been the number one Earl Grey, but has held a spot in our top three sellers overall for as long as we’ve been selling tea.
In 2013, we made a scary move. We dropped the Rishi organic masala chai that had been our number-one selling tea and replaced it with a house blend. Several house blends, actually. Our house chai, which is made with estate-grown Assam and our own masala spice blend, did reasonably well, but then serendipity stepped in. We were experimenting around with a caffeine-free option, and blended our spices with rooibos and caramel. The first cup we brewed, Doug looked at me and said, “Oh my God! This is a ginger cookie in a cup!” We named it [Ginger Cookie Chai], and it became our top masala chai, and one of the best-selling teas overall. It also makes a great molasses cookie recipe!
Yerba maté has always been a good seller for us, so we decided to add the other two members of the holly family that produce caffeine: guayusa and yaupon. [Guayusa] became a staff favorite, and soon surpassed yerba maté. It’s an amazing drink that we just can’t get enough of!
We sell a lot of rooibos, and I am still surprised that the green rooibos outsells red rooibos by a factor of three. Yes, [Green Rooibos], which most Americans haven’t even heard of, is one of the top 15 sellers out of the 150+ teas and tisanes we sell. When it comes to flavored rooibos, [Montana Gold], a caffeine-free blend from our friends at Montana Tea & Spice not only handily tops the list of rooibos-based blends, but was our #1 seller overall.
When you think of herbal tea, what’s the first herb that pops into your mind? Probably chamomile. Personally, I’m not a big chamomile drinker, which probably explains why none of my chamomile blends compete with [Evening in Missoula], another complex and wonderful blend from Montana Tea & Spice.
While writing this blog post, I was drinking an organic Iron Goddess of Mercy (tieguanyin), as I so often do. It’s a soft and flavorful oolong that’s lightly baked and medium oxidized. I usually use my leaves at least three or four times, brewing it with 175-degree water. I make my first infusion light (2 1/2 minutes), and then add 30 second to each subsequent infusion.
I know what you’re thinking. Has Gary lost his mind? Well, you probably think that anyway, but bear with me on this post for a moment…
If you can name three styles of oolong tea, one of them is probably tieguanyin, also known as Iron Goddess of Mercy. It’s a wonderful, mellow oolong that’s become one of my favorite teas. I’m drinking a cup even as I write this, and the story behind the name will be featured in the first volume of my upcoming Myths and Legends of Tea short story collection.
And if you can name three brands of cameras, one of them is probably Canon. They make a wide range of consumer level cameras, and they’ve been around a long time — since the 1930’s, in fact.
Iron Goddess of Mercy tea: dry leaves on the left and open (steeped) leaves on the right.
Tieguanyin comes in tightly-rolled leaves. When you steep the tea, those little tadpole shapes open up into full Camellia sinensis leaves. The tea is named for Guanyin, the Goddess of Mercy, or more correctly, the bodhisattva Guanyin, since Buddhism doesn’t have gods and goddesses in the Western sense. There are a lot of ways to spell tieguanyin, and a lot of ways to spell Guanyin’s name as well.
This brings us to cameras. The Canon company — originally known as Precision Optical Instruments Laboratory — developed prototypes of a camera back in 1933. They named this camera Kwanon, which is an Americanized version of the Japanese transliteration of Guanyin’s name. It was a camera named for the Goddess/bodhisattva Guanyin.
The original Kwanon logo featured the Goddess of Mercy.
The name of the company is, in fact, a simplified version of the name of its first camera, the Kwanon. So next time you pull out your Canon camera, make sure to brew up a cup of tieguanyin oolong to sip while shooting your photos. I recommend brewing it for around 2-1/2 to 3 minutes in 175 degree water. You can easily use the leaves four or five times. Just add about 30 seconds to the brewing time for each additional steep.
Oh, these silly tagging things that go around. Normally, I ignore them, but Geoffrey Norman (a.k.a. the Lazy Literatus) tagged me for a tea-related Q&A and it’s hard to resist when he looks at you with those big puppy dog eyes…
Easy. I hate coffee.
I got my start with tea as a comfort thing when I was little. Any time I got sick, Mom’s immediate response was tea and toast. Tea relaxes me and makes me feel like I’m being taken care of. It was many years later that I discovered the amazing variety of beverages you can produce with the Camellia sinensis plant. There’s a lot beyond black tea in teabags and loose green tea leaves in the Chinese restaurant!
I hereby define the word “blend” to mean a combination of ingredients, thus disqualifying Lipton teabags and the aforementioned green tea in the Chinese restaurant. That means the answer is “Morning Thunder” from Celestial Seasonings (tagline: The Awakening Power of a Thousand Charging Buffalo). I grew up in Boulder, Colorado, which is where Celestial Seasonings is based, so it was ubiquitous when I was in junior high and high school. Then, my junior year in high school I got a job driving a delivery truck for an office supply store, and Celestial Seasonings was one of my stops.
The first tea-related post I wrote on my other blog was in June of 2011, shortly after opening my tea bar. About four months later, I gathered all of the tea-related posts from that blog and split them off into a new one: Tea With Gary. That’s what you’re reading now.
Rewarding: I have met some awesome people through tea blogging, and I feel like I’ve debunked some myths about tea.
Discouraging: Where are my tens of thousands of screaming fans? Hey, no offense to the hundreds of readers I do have, but I had hoped for more after 2-1/2 years.
I drink a lot of different kinds of tea, but the two I’m most likely to be drinking are Iron Goddess of Mercy oolong (a.k.a. Tieguanyin) and various shu pu-erhs.
When I make myself a tea latte, it’s almost always masala chai. I like a nice spicy chai with frothy milk, a dash of agave nectar, and a sprinkle of cinnamon on the foam.
A lightly-salted big soft Bavarian-style pretzel.
Oh, my, that’s a rough question. For tea culture, it would have to be Japan. When I was last there I hadn’t really explored Japanese tea culture and ceremony, and I’d like to go back now that I know a little bit about it. As for tea horticulture, I’d like to visit some tea plantations in either China or Kenya.
Unfortunately, I don’t take the time for ritual very often. Most of the time I’m making a quick cup to consume while I do something else.
When I do observe a ritual, it really varies with the type of tea I’m drinking. I prepare and drink my pu-erh differently than my matcha, obviously.
Any time. Any time at all. Being a bit ADD, the caffeine doesn’t affect me the same way it affects normal people. I do have a tendency to drink tea that’s lighter in the caffeine at night, though (e.g., houjicha), or even switch to rooibos.
That there’s never one single business and one single variety that reaches the levels of dominance that Starbucks has reached in coffee. I like tea being a different experience depending on where I go and who I’m with. I enjoy every tea shop having a unique atmosphere, a unique selection, and their own way of presenting the tea. Diversity is a great thing, and I want the diversity in the tea world to increase rather than decrease.
Before I get to the subject of today’s blog post, I’d just like to get a little announcement out of the way. My last post was the 100th post to Tea With Gary. Yay! Celebration! Fireworks!
Okay, now on to tea blends.
Professionals developing tea blends have several goals in mind beyond just making something yummy. One absolute requirement is that it has to be simple for the consumer to make at home. And by simple, I mean the instructions have to read like this: “Put ____ teaspoons of leaves in ____ ounces of water at ____ degrees, and steep for ____ minutes.” If at all possible, “water at ____ degrees” should be replaced with “boiling water,” but sometimes that’s not practical.
When you’re having fun with tea blends at home (or in my case, at the tea bar), I’m often faced with a conundrum. I want to combine significantly different teas, but they require different steep times or water temperatures — or sometimes both. A perfect example of this is the oolong/pu-erh blend that I made the other day.
I like the particular oolong that I used (Iron Goddess of Mercy) steeped for about three minutes. I wanted to try blending it with a loose-leaf ripe pu-erh, but I really didn’t like the results. Even if I backed off on the amount of pu-erh, that three minutes is just too long for me. If I steeped the blend as long as I’d steep the pu-erh by itself (about a minute and a half), then the oolong flavor didn’t come through properly.
For such an obvious solution, it took me the better part of a day to come up with it. Here are my instructions for this lovely blend:
The alternative would be to brew the two teas separately and then combine them in the cup, but that ends up being much more complicated and messy, and dirties two infusers. On the other hand, that method allows you to use the leaves more than once — and both of these teas lend themselves to multiple infusions. It also takes some experimentation to make that system work.
A direct translation of that infusion method to multiple infusers would look like this:
If you just do the math here, it would seem to be a completely equivalent brewing process, but it’s not. The results are quite different when you steep 1-1/2 teaspoons of oolong in 8 ounces of water or when you steep 1-1/2 teaspoons of oolong in 16 ounces of water. Making that second method produce the same results would require a good bit of finagling.
For me, though, this game isn’t about producing the perfect cup for resale. It’s about experimenting with flavors, doing things that Lipton can’t put in a bag, and coming up with something I like. There are some blends that have worked very well for me this way. There are others that have pretty much bombed every time.
Among the experiments I’ve considered successful are adding fresh raspberries to pouchong oolong, adding a dash of zinfandel (wine) to an aged wild shu pu-erh, and mixing a short-steeped green tea with a long-steeped white tea. Primary among the bombs is blending green and black tea. Regardless of steep time and style, I have yet to find a combination I find palatable.
Don’t be afraid to experiment. Don’t be afraid to blend things together that might make your tea absolutist friends gasp. Tea should be fun.
In my first day at the 2013 World Tea Expo, I believe I have seen “Tieguanyin” (a wonderful oolong often called “Iron Goddess of Mercy” in English) spelled at least six different ways. In fact, a quick scan of this blog shows that I have spelled it at least three different ways. Tieguanyin, Tie Guanyin, Tae Guan Yin, Ti Kuan Yin, Tie Gwan Yin, Tie Kwun Yin… which one is right?
In reality, none of them are “right.” The name of the tea is Chinese, which is written in Chinese characters. Even in Chinese, there are two different ways to write it (鐵觀音 in traditional Chinese and 铁观音 in simplified Chinese). Some of the sounds in Chinese don’t translate clearly and unambiguously into English, and translations vary over time as well.
How important is it to have a consistent standardized spelling? I think a quick Google experiment will solve that. Let’s try Googling some different spellings and see how many hits we get:
And when I Googled “Iron Goddess of Mercy,” I got 341,000 results.
I’m not sure how much this reflects how common any given spelling is, and how much it reflects how good Google is at guessing what you mean. The Wikipedia entry for Tieguanyin came up as the top result for almost all of those searches, even though the article doesn’t use most of those spellings. How can we expect to reach agreement on the spelling of the name when producers can’t reach agreement on how much to oxidize the tea?
As with most ambiguous names, the best way to handle it is to pick a spelling and stick with it — something I’m still struggling with myself. You’ll never change the rest of the world, but at least you’ll be consistent.
Taiwan may not have originated oolong tea, but it is definitely at the forefront of oolongs today. At this stop on the tea tour, attendees learned about what oolong tea actually is, and tasted a variety of Taiwanese oolongs, including Bao Zhong, White Tip Bai Hao, and of course Tieguanyin, better known as “Iron Goddess of Mercy.” We’ll also talk a bit about the history of Formosa tea (Taiwan was called Formosa until the 1940s).
For comparison, we also tasted a couple of Chinese oolongs.
The teas we tasted were:
The flag of Taiwan
Officially, Taiwan is known as the Republic of China (ROC). It is an island off the coast of mainland China, which is officially known as the People’s Republic of China (PRC). The PRC lays claim to Taiwan, but the ROC has declared its independence and established its own government, currency, and economy. The island, formerly known as Formosa, is 13,978 square miles — only about a tenth the size of the state of Montana. It’s population, however, is about 23,315,000, which is significantly more than the state of Texas.
A variety of tea styles is produced in Taiwan, but their specialty is oolong. About 20% of the world’s oolong tea comes from this small island.
There have been wild tea plants on Taiwan for a long time. They were first reported to the Western world in a report in 1685. Chinese tea plants were brought out to Taiwan by Ke Chao in the late 18th century, and a Scotsman named John Dodd established a tea export business in 1869. Tea soon became Taiwan’s major export, and the Tea Research Institute of Taiwan was formed in 1926.
Oolong, which means “black dragon” in Chinese, is the most complex of tea styles to produce. Oolongs are generally not crushed or torn, and are only partially oxidized (not fermented), unlike green tea, which isn’t oxidized at all, and black tea, which is fully or almost-fully oxidized.
Generally, we tailor the steep time and water temperature to each individual tea in our tastings, but tonight we wanted to give everyone a solid basis for comparison, so we prepared all of the oolongs in 195-200 degree (F) water and steeped them for two minutes.
Pouchong is often spelled as “Bao Zhong” to more accurately reflect the way it is pronounced. It’s a very lightly oxidized oolong tea that appeals well to green tea lovers. Because of its mild taste and aroma, many flavored oolongs use pouchong as their base.
Here’s a tea with many names, including Bai Hao in the east and Oriental Beauty in the west. In the beginning, it was known as “bragger’s tea” because of the origin story (one of the stories that will appear in my new book, by the way), where a farmer went ahead and used leaves that had been chewed up by insects and discovered that the flavor was so wonderfully enhanced that he got twice his normal price at market.
This style originated in China, but has become a staple of Taiwanese oolong as well. I’ve written about it before. Even with 120 different teas to choose from in my tea bar, it’s rare for me to go more than a couple of days without drinking a few cups of Tieguanyin. It’s generally good for at least 5-7 infusions, and it’s a great everyday tea.
We then moved to the birthplace of oolong tea: the Wuyi mountains in the Fujian province of China. This tea is highly oxidized and then roasted to give a very full-flavored cup. We tasted it on the first stop (China) of our World Tea Tasting Tour, making this the first tea that’s been in two different tastings.
Staying in that same area, we moved on to an even more oxidized and roasted dark oolong. Qilan (“profound orchid”) is actually a darker and more flavorful tea than many of my favorite black teas, like Golden Yunnan, Royal Golden Safari, and first-flush Darjeeling (all described in previous tasting notes).
The most recent export from Taiwan is an iced drink they call “boba milk tea,” usually served as “bubble tea” in the United States. It has taken many urban areas here by storm, especially in the Pacific Northwest. Unfortunately, the way most of the mainstream purveyors prepare it, there’s no tea in bubble tea — they use snowcone syrups or similar super-sweet flavorings.
We prepare ours by steeping a strong cup of tea (tonight’s tasting used a mango-flavored tieguanyin as the base). In a cocktail shaker we add ice, simple syrup (sugar water), and a bit of milk. After shaking that into a froth, we pour it over fresh-made tapioca pearls.
This was the sixth stop on our World Tea Tasting Tour, in which we explore the tea of China, India, Japan, Taiwan, England, South Africa, Kenya, and Argentina. Each class costs $5.00, which includes the tea tasting itself and a $5.00 off coupon that can be used that night for any tea, teaware, or tea-related books that we sell.
For a full schedule of the tea tour, see my introductory post from February.
This is only an early working concept for the book cover. At this point, Myths and Legends of Tea is only a working title.
Most writers don’t like to talk about their work in process. I guess I’m not most writers, because I like to talk about pretty much everything. I do usually hold back, though, until I’m really sure the book is going somewhere. At this point, I’m far enough along that I’m ready to let the cat out of the bag.
UPDATE MAY 2015: Please see “Myths & Legends At Last” for release news on volume 1, including a story list, summaries, and final cover art.
As anyone who has visited my tea bar knows, I am as much in love with the stories of different tea styles as I am with the tea itself. Thus far, I have mostly told the tales as they were told to me — or as I found them in the course of reading about tea. Many of these wondrous stories are far too short. The poor farmer who cleaned up a temple and was given Tieguanyin oolong as his reward by the goddess. The mandarin who added bergamot oil to an English earl’s tea to compensate for the calcium in the water and created one of the western world’s most popular teas. The tea master who performed one last tea ceremony after he was ordered by his daimyo to commit seppuku.
In Myths & Legends of Tea, my goal is to create the Grimm’s Fairy Tales of tea.
I am taking each of these tales and retelling it in my own style, most of them somewhere between 2,000 and 3,000 words long. Each is accompanied by a profile of the tea featured in the story. Some of the stories are entirely legend, their origins lost in the mists of time. Some are based heavily on fact. Some will be familiar to any tea aficionado. Some are purely the product of my own imagination. In all of them, I am focusing on building a sense of the time, the setting, and the characters, and bringing the stories of tea to life.
I know what you’re thinking. At least I hope I know what you’re thinking. “When will I be able to buy this wondrous book?” (If that’s not what you’re thinking, please don’t tell me). If all goes according to plan, sometime in the autumn of 2013. I’ll keep you all up to date!
Since I split off Tea With Gary from my writing blog in 2011, I have tried to keep the two separate. In this particular case, however, this post is both about my writing and about tea, so I am placing it on both blogs. Henceforth, I will place my updates about the book in my writing blog and specific tea stories here, although I’ll probably do some cross-linking. Oh, who am I kidding? I’ll do a lot of cross-linking, because that’s the way blogs roll!
Legend says that tea originated in China in 2737 B.C., over 100 years before the first Egyptian pyramid was built. In this first stop on our tasting tour, we explored China’s best-known tea growing areas in Yunnan, Anhui, Zhejiang, and Fujian provinces. We also took a look at traditional Chinese teaware, including gaiwans and guangzhou teapots.
The teas we tasted were:
We started out by taking a look at the legend of the history of tea, going back to Emperor Shennong in 2737 B.C., and then talking about the major tea growing provinces of China. Four provinces were represented in our sampling: Yunnan, Anhui, Zhejiang, and Fujian. Obviously, this is just a beginning, but in a single short class, we can’t hit them all.
After the background was covered, including varietals of the tea plant, we launched into the individual teas, organized by style.
First was white tea, the most lightly processed. I chose a Silver Needle blend from Rishi instead of a single-origin tea for this one mostly because our focus was comparing Chinese white tea with green and oolong teas. At some point down the road, we’ll do a comparative white tea tasting where the focus will be on terroir and origin.
One of the bullet points on the slide is an important one: busting the caffeine myth of white tea. The fact that this tea is made from early-picked buds means that there is a high concentration of caffeine. The preparation style does nothing to change that. The longer steep times we typically use on white tea just accentuates this.
We steeped the tea for five minutes in 165 degree water.
I chose three different green teas for the tasting. Each brought something completely different to the party.
First – a straight green tea very typical of Chinese fare, with a history dating back well over a millennium. The name of the tea comes from the finely-rolled leaves resembling gunpowder.
We steeped the gunpowder tea for three minutes in 175 degree water.
I simply couldn’t resist including the original story (fable?) of Longjing tea here, which I’ll be covering in much more detail in the future. Of all of the green teas I’ve tried, this is the one I keep coming back to as my favorite.
We steeped the dragonwell tea for three minutes — although I only do two minutes when I’m brewing it for myself — in 175 degree water.
And finally, we come to the only flavored tea of the evening. We followed tradition with this tea, placing seven tears in each cup and sipping the tea as the leaves unfurl. Unlike all of the other teas we tasted, this one didn’t have a fixed steeping time. Everyone began sipping after a minute or two and kept sipping as the character changed over the next few minutes. We used 175 degree water.
We could have easily set up an entire evening just tasting Chinese oolongs (we are, in fact, doing this with Taiwanese oolongs on March 29), but for tonight we chose only one: an oolong from the Wuyi mountains.
It was a very difficult choice deciding which oolong to include. My first temptation was Tieguanyin (Iron Goddess of Mercy), but since I had two rolled teas already I decided to go with an open-leaf oolong.
We brewed this for three minutes in 195 degree water.
And finally, we moved on to black tea. Choosing only two black teas to represent China wasn’t easy (although it was a lot easier than choosing a single oolong), so I simply went with my two “leaf and a bud” favorites: one fully oxidized rich black with overtones of red wine (Keemun Mao Feng) and one lightly oxidized golden tea from Yunnan.
This was another case where I steeped the teas both at three minutes in boiling water for a better comparison, but when I drink them myself I prefer about 2:30 for the Keemun and 4:00 for the Yunnan.
We closed out the evening with a discussion of steeping times, water temperatures, multiple infusions, and other factors involved in preparing a great cup of tea. As always, I ended with the admonition to ignore the Tea Nazis and drink your tea however you like it.
If you live in the area and were unable to attend this session, I sure hope to see you at one of our future stops on our World Tea Tasting Tour. Follow the link for the full schedule, and follow us on Facebook or Twitter for regular updates (the event invitations on Facebook have the most information).
Tea With Gary 