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Tagged! A tea background story


Oh, these silly tagging things that go around. Normally, I ignore them, but Geoffrey Norman (a.k.a. the Lazy Literatus) tagged me for a tea-related Q&A and it’s hard to resist when he looks at you with those big puppy dog eyes…

Tagged!

(1) First, let’s start with how you were introduced and fell in love with the wonderful beverage of tea.

Easy. I hate coffee.

I got my start with tea as a comfort thing when I was little. Any time I got sick, Mom’s immediate response was tea and toast. Tea relaxes me and makes me feel like I’m being taken care of. It was many years later that I discovered the amazing variety of beverages you can produce with the Camellia sinensis plant. There’s a lot beyond black tea in teabags and loose green tea leaves in the Chinese restaurant!

(2) What was the very first tea blend you ever tried?

I hereby define the word “blend” to mean a combination of ingredients, thus disqualifying Lipton teabags and the aforementioned green tea in the Chinese restaurant. That means the answer is “Morning Thunder” from Celestial Seasonings (tagline: The Awakening Power of a Thousand Charging Buffalo). I grew up in Boulder, Colorado, which is where Celestial Seasonings is based, so it was ubiquitous when I was in junior high and high school. Then, my junior year in high school I got a job driving a delivery truck for an office supply store, and Celestial Seasonings was one of my stops.

(3) When did you start your tea blog and what was your hope for creating it?

The first tea-related post I wrote on my other blog was in June of 2011, shortly after opening my tea bar. About four months later, I gathered all of the tea-related posts from that blog and split them off into a new one: Tea With Gary. That’s what you’re reading now.

(4) List one thing most rewarding about your blog and one thing most discouraging.

Rewarding: I have met some awesome people through tea blogging, and I feel like I’ve debunked some myths about tea.

Discouraging: Where are my tens of thousands of screaming fans? Hey, no offense to the hundreds of readers I do have, but I had hoped for more after 2-1/2 years.

(5) What type of tea are you most likely to be caught sipping on?

I drink a lot of different kinds of tea, but the two I’m most likely to be drinking are Iron Goddess of Mercy oolong (a.k.a. Tieguanyin) and various shu pu-erhs.

(6) Favorite tea latte to indulge in?

When I make myself a tea latte, it’s almost always masala chai. I like a nice spicy chai with frothy milk, a dash of agave nectar, and a sprinkle of cinnamon on the foam.

(7) Favorite treat to pair with your tea?

A lightly-salted big soft Bavarian-style pretzel.

(8) If there was one place in the world that you could explore tea culture at, where would it be and why?

Oh, my, that’s a rough question. For tea culture, it would have to be Japan. When I was last there I hadn’t really explored Japanese tea culture and ceremony, and I’d like to go back now that I know a little bit about it. As for tea horticulture, I’d like to visit some tea plantations in either China or Kenya.

(9) Any tea time ritual you have that you’d like to share?

Unfortunately, I don’t take the time for ritual very often. Most of the time I’m making a quick cup to consume while I do something else.

When I do observe a ritual, it really varies with the type of tea I’m drinking. I prepare and drink my pu-erh differently than my matcha, obviously.

(10) Time of day you enjoy drinking tea the most: Morning, Noon, Night or Anytime?

Any time. Any time at all. Being a bit ADD, the caffeine doesn’t affect me the same way it affects normal people. I do have a tendency to drink tea that’s lighter in the caffeine at night, though (e.g., houjicha), or even switch to rooibos.

(11) What’s one thing you wish for tea in the future?

That there’s never one single business and one single variety that reaches the levels of dominance that Starbucks has reached in coffee. I like tea being a different experience depending on where I go and who I’m with. I enjoy every tea shop having a unique atmosphere, a unique selection, and their own way of presenting the tea. Diversity is a great thing, and I want the diversity in the tea world to increase rather than decrease.

Gold Nugget Pu-Erh


As I wrote about in my other blog, we went to Portland, Oregon for a book show last week. I was there to roll out my new book (Who Pooped in the Cascades?) and to take a look at interesting books from other authors — not to mention a whole lot of networking. What I didn’t mention in that other blog was that I took some time out to meet fellow tea blogger Geoffrey Norman for a cup or three of tea (and maybe a beer or two, but that’s completely beside the point). I told Geoffrey to pick his favorite tea shop in Portland and take me there. He chose The Jasmine Pearl on NE 22nd, and the adventure went from there…

Gold Nugget Pu-erh header

My son, Doug, accompanied Geoffrey and I to the shop, and we entered to the wondrous smell of tea blending and brewing. We met the owners and several other staff members, and then settled in to browse.

As I typically do when entering a new tea shop, I explored their tea list to see what they had available. They had the usual selection of flavored teas & scented tea (Earl Grey, Moroccan mint, jasmine pearls…) and old standbys (tieguanyin, English breakfast, gunpowder green…). They also had some very interesting-looking varietals and single-source teas, including kukicha, dong ding oolong, and Gaba oolong.

After we looked around a bit, they informed us that tasting was free and pretty much everything was available to taste. One of the staff pulled out a couple of gaiwans, along with cups, strainers, and other related accoutrements, and asked where we’d like to start.

Jasmine Pearl tea bar

Clearly, she loves her job!

We started with the kukicha and dong ding oolong, and they were both good. The Gaba oolong, on the other hand, was an absolutely wonderful, and it has a great story behind it, too — but that’s for another blog post.

After going through the oolongs, Doug chose to try his favorite, a lapsang souchong, and he ended up loving it.

I, on the other hand, wanted to try pu-erhs.

I asked her what was their richest, earthiest, most complex pu-erh. She immediately guided me to the Gold Nugget. Not to spoil the ending to this story, but I ended up buying some to bring home.

Gold Nugget pu-erh brick

It looks like any other brick of pu-erh when it’s wrapped up like that, but when the wrapper comes off, it gets different. It seems that it has the name “Gold Nugget” for a reason.

Gold Nugget pu-erh nuggets

Some of the “nuggets” broken off from the cake. This is a close-up of part of the picture I used for the blog post header above.

Most pressed tea is made with larger leaf varietals of Camellia sinensis, and the leaves are laid out rather randomly. This requires flaking off bits of the tea with a pu-erh knife or some similar implement. This shu (“ripe”) pu-erh uses whole leaves, but they are rolled up like an oolong or gunpowder tea first. These “nuggets” are then pressed into the cake.

When I’m comparing tea, I like to keep the variables to a minimum. The little pile of nuggets in the picture weighs 7 grams. I put them in my infuser and did a 10-second wash with boiling water, which I drained out completely. Then I added 16 ounces of boiling water and let it steep for three minutes.

To me, three minutes is a long steep time for a shu pu-erh. When I’m drinking my favorite pu-erhs, I usually go for more like 90 seconds. Our first taste of this in the tea bar, on the other hand, was steeped for five minutes, because I told her I liked it strong.

I do, indeed, like it strong, but after steeping for five minutes, the flavors are rather muddled together. That’s why my first pass at home was for three.

The result was exactly what I had asked for: rich and complex are great adjectives for this tea. This is pretty much the polar opposite of the last pu-erh I blogged about. I will, however, be using longer steep times than usual for my first infusion, simply because those nuggets are rolled so tight that it takes a couple of infusions to open them up all the way.

Gold Nugget pu-erh nuggets post-steep

After steeping for three minutes, some of these leaves are still pretty tightly rolled. They do open more with each subsequent infusion, however.

All in all, it was a great trip, and I came back with some great tea, lots and lots of autographed books, and some fond memories. After the tea tasting, we met my wife at a sushi restaurant and had some wonderful sushi rolls and interesting beers. I wouldn’t say Geoff knows as much about beer as he does about tea, but I think we’ll be having some future conversations about the differences and similarities in teas and beers.

Phong Sali 2011 Pu-erh from Laos


At World Tea Expo this year, I picked up a Laotian pu-erh (well, technically a “dark tea,” since it doesn’t come from Yunnan) from Kevin Gascoyne at Camellia Sinensis Tea House. I mentioned this in a blog post back in June, and said I’d be tasting it and writing about it “soon.” Well, since it’s a very young sheng (a.k.a. “raw”) pu-erh, I figured it wasn’t a big hurry, and “soon” ended up being October. Oh, well. Had to get all that Oktoberfest stuff out of the way first, I suppose.

Phong Sali Laotian Pu-erh

Let me begin by explaining the label and the style of this tea.

That big “2011” on the label is the year that it was produced. Most pu-erh drinkers will tell you that a sheng pu-erh should be aged a minimum of five years before you drink it. I certainly won’t argue that the flavors improve and ripen as the tea ages, but in my humble opinion there’s nothing at all wrong with drinking a young sheng. I enjoyed the bit that I took off of this 357-gram beeng cha (pressed cake), but I’ll be saving most of it to drink as it matures. Will I be able to hang on another three years or more to drink the majority of it? That remains to be seen.

The words “Phong Sali” do not refer to the style of the tea, but to its origin. Phong Sali (or, more commonly, Phongsali) is the capital of Phongsali province in Laos. Technically, as I mentioned above, this tea style should be called by its generic name (“dark tea”) rather than its regional name (“pu-erh”), because it doesn’t come from the Yunnan province of China. Since the little town of Phongsali (population about 6,000) is only about 50 miles from Yunnan (which borders Phongsali province on the west and north), I think we can let that bit of terminology slide.

“Old tree” refers to the tea plants themselves. In most modern plantations, the tea is pruned to about waist height to make it easy to pick. In many older plantations, the tea has been allowed to grow into trees, which can reach heights of thirty feet or more. The particular tea trees from which this tea comes are over 100 years old.

Tasting the tea

Unwrapping the beeng cha provided my first close look at the tea. The leaves are quite large, and the cake is threaded with golden leaves that didn’t oxidize fully.

Phong Sali beeng cha

There is still enough moisture in the cake to make it fairly easy to flake off some tea from one edge. Shu pu-erh is often dried very hard, as it is “force fermented” so that it will be ready to drink earlier. Sheng pu-erh, on the other hand, needs a bit of moisture in it to continue fermenting over time. I decided to try it in a gaiwan rather than making a large cup, so that it would be easier to experiment with multiple infusions and smell/taste the tea as I went.

I used water just a bit cooler than boiling (water boils at 202°F at this altitude, and I used 195°F water for this tea), and roughly 7 or 8 grams of tea. Unscientific, I know, but I didn’t measure it. I steeped the tea for just a minute the first time, and got a delicate but flavorful cup of tea. The flavor is similar to a characteristic Chinese green tea (think dragonwell), but more woody and with a bit of spice.

The picture on the right shows the leaves, uncurled after the first steeping. They are large, supple, and fragrant.

Phong Sali leaves and liquor

That one-minute steep wasn’t really enough to hydrate the leaves, so I went for a second steep at 1:30 (pictured at left above). Much more flavor, but still extremely delicate compared to a fully-aged sheng pu-erh. I enjoyed a third and fourth steep, which had only minor changes in flavor, but was interrupted before I had a chance to keep going and see how it stood up to eight or ten steeps. An experiment for a quieter day, I suppose.

This tea is definitely worth enjoying a bit early, and I will definitely be coming back to it. Again, we’ll see how much survives to full maturity. I’m not very good at waiting!

Tea blends you can’t put in a bag


Before I get to the subject of today’s blog post, I’d just like to get a little announcement out of the way. My last post was the 100th post to Tea With Gary. Yay! Celebration! Fireworks!

Fireworks

Okay, now on to tea blends.

Professionals developing tea blends have several goals in mind beyond just making something yummy. One absolute requirement is that it has to be simple for the consumer to make at home. And by simple, I mean the instructions have to read like this: “Put ____ teaspoons of leaves in ____ ounces of water at ____ degrees, and steep for ____ minutes.” If at all possible, “water at ____ degrees” should be replaced with “boiling water,” but sometimes that’s not practical.

When you’re having fun with tea blends at home (or in my case, at the tea bar), I’m often faced with a conundrum. I want to combine significantly different teas, but they require different steep times or water temperatures — or sometimes both. A perfect example of this is the oolong/pu-erh blend that I made the other day.

I like the particular oolong that I used (Iron Goddess of Mercy) steeped for about three minutes. I wanted to try blending it with a loose-leaf ripe pu-erh, but I really didn’t like the results. Even if I backed off on the amount of pu-erh, that three minutes is just too long for me. If I steeped the blend as long as I’d steep the pu-erh by itself (about a minute and a half), then the oolong flavor didn’t come through properly.

For such an obvious solution, it took me the better part of a day to come up with it. Here are my instructions for this lovely blend:

  1. Place 1-1/2 teaspoons of Iron Goddess in 16-ounce infuser (or teapot) filled with 200 degree water
  2. Steep for 1:30
  3. Add 2 teaspoons of shu pu-erh to infuser
  4. Continue steeping for another 1:30
  5. Pour tea into mug, filtering out leaves
  6. Enjoy

The alternative would be to brew the two teas separately and then combine them in the cup, but that ends up being much more complicated and messy, and dirties two infusers. On the other hand, that method allows you to use the leaves more than once — and both of these teas lend themselves to multiple infusions. It also takes some experimentation to make that system work.

A direct translation of that infusion method to multiple infusers would look like this:

  1. Place 1-1/2 teaspoons of Iron Goddess in infuser (or teapot) with 8 ounces of 200 degree water
  2. Steep for 3:00 and pour tea into 16-ounce mug, filtering out leaves
  3. Place 2 teaspoons of shu pu-erh in a second infuser (or teapot) with 8 ounces of 200 degree water
  4. Steep for 1:30 and add tea to mug from step 2, filtering out leaves
  5. Once both teas have been blended in the mug, stir briskly
  6. Enjoy

If you just do the math here, it would seem to be a completely equivalent brewing process, but it’s not. The results are quite different when you steep 1-1/2 teaspoons of oolong in 8 ounces of water or when you steep 1-1/2 teaspoons of oolong in 16 ounces of water. Making that second method produce the same results would require a good bit of finagling.

For me, though, this game isn’t about producing the perfect cup for resale. It’s about experimenting with flavors, doing things that Lipton can’t put in a bag, and coming up with something I like. There are some blends that have worked very well for me this way. There are others that have pretty much bombed every time.

Among the experiments I’ve considered successful are adding fresh raspberries to pouchong oolong, adding a dash of zinfandel (wine) to an aged wild shu pu-erh, and mixing a short-steeped green tea with a long-steeped white tea. Primary among the bombs is blending green and black tea. Regardless of steep time and style, I have yet to find a combination I find palatable.

Don’t be afraid to experiment. Don’t be afraid to blend things together that might make your tea absolutist friends gasp. Tea should be fun.

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