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All the Tea in China: Stop 1 on the World Tea Tasting Tour


Guangzhou teapotLegend says that tea originated in China in 2737 B.C., over 100 years before the first Egyptian pyramid was built. In this first stop on our tasting tour, we explored China’s best-known tea growing areas in Yunnan, Anhui, Zhejiang, and Fujian provinces. We also took a look at traditional Chinese teaware, including gaiwans and guangzhou teapots.

The teas we tasted were:

  • Organic Longjing Dragonwell (green)
  • Organic Pinhead Gunpowder (green)
  • Jasmine Dragon Tears (green)
  • Silver Needle (white)
  • Organic Shui Xian Wuyi Oolong
  • Organic Keemun Mao Feng (black)
  • Organic Golden Yunnan (black)

We started out by taking a look at the legend of the history of tea, going back to Emperor Shennong in 2737 B.C., and then talking about the major tea growing provinces of China. Four provinces were represented in our sampling: Yunnan, Anhui, Zhejiang, and Fujian. Obviously, this is just a beginning, but in a single short class, we can’t hit them all.

China - Slide04

After the background was covered, including varietals of the tea plant, we launched into the individual teas, organized by style.

White Tea

First was white tea, the most lightly processed. I chose a Silver Needle blend from Rishi instead of a single-origin tea for this one mostly because our focus was comparing Chinese white tea with green and oolong teas. At some point down the road, we’ll do a comparative white tea tasting where the focus will be on terroir and origin.

China - Slide12

One of the bullet points on the slide is an important one: busting the caffeine myth of white tea. The fact that this tea is made from early-picked buds means that there is a high concentration of caffeine. The preparation style does nothing to change that. The longer steep times we typically use on white tea just accentuates this.

We steeped the tea for five minutes in 165 degree water.

Green Tea

I chose three different green teas for the tasting. Each brought something completely different to the party.

China - Slide15

First – a straight green tea very typical of Chinese fare, with a history dating back well over a millennium. The name of the tea comes from the finely-rolled leaves resembling gunpowder.

We steeped the gunpowder tea for three minutes in 175 degree water.

China - Slide16

I simply couldn’t resist including the original story (fable?) of Longjing tea here, which I’ll be covering in much more detail in the future. Of all of the green teas I’ve tried, this is the one I keep coming back to as my favorite.

We steeped the dragonwell tea for three minutes — although I only do two minutes when I’m brewing it for myself — in 175 degree water.

China - Slide17

And finally, we come to the only flavored tea of the evening. We followed tradition with this tea, placing seven tears in each cup and sipping the tea as the leaves unfurl. Unlike all of the other teas we tasted, this one didn’t have a fixed steeping time. Everyone began sipping after a minute or two and kept sipping as the character changed over the next few minutes. We used 175 degree water.

Oolong Tea

We could have easily set up an entire evening just tasting Chinese oolongs (we are, in fact, doing this with Taiwanese oolongs on March 29), but for tonight we chose only one: an oolong from the Wuyi mountains.

China - Slide21

It was a very difficult choice deciding which oolong to include. My first temptation was Tieguanyin (Iron Goddess of Mercy), but since I had two rolled teas already I decided to go with an open-leaf oolong.

We brewed this for three minutes in 195 degree water.

Black Tea

And finally, we moved on to black tea. Choosing only two black teas to represent China wasn’t easy (although it was a lot easier than choosing a single oolong), so I simply went with my two “leaf and a bud” favorites: one fully oxidized rich black with overtones of red wine (Keemun Mao Feng) and one lightly oxidized golden tea from Yunnan.

China - Slide25

China - Slide26

This was another case where I steeped the teas both at three minutes in boiling water for a better comparison, but when I drink them myself I prefer about 2:30 for the Keemun and 4:00 for the Yunnan.

We closed out the evening with a discussion of steeping times, water temperatures, multiple infusions, and other factors involved in preparing a great cup of tea. As always, I ended with the admonition to ignore the Tea Nazis and drink your tea however you like it.

There is no wrong way to enjoy a cup of tea.

If you live in the area and were unable to attend this session, I sure hope to see you at one of our future stops on our World Tea Tasting Tour. Follow the link for the full schedule, and follow us on Facebook or Twitter for regular updates (the event invitations on Facebook have the most information).

Another new tea logo: Terracotta Army Chocolate Pu-erh


Oh, how I love having fun with tea logos. As I’ve mentioned before (see list below), a series of local artists have been creating logos for our house blends. Today’s new logo is for a tea that started out as a custom blend for my wife, Kathy. She is a chocoholic who loves tea. She has tried chocolate tea blends from various companies, and decided that she’s not a fan of chocolate tea blends using mild-flavored tea. She likes to be able to taste the chocolate and the tea.

So we came up with a blend based on a loose-leaf shu (ripe) pu-erh blended with cocoa nibs (and a few other things). The result was so good, we decided to give it a permanent home on the tea bar’s menu. After struggling for a while to come up with a name reflecting its Chinese origins: Terracotta Army Chocolate Pu-erh.

The logo was produced by artist (and art history professor) Kory Rountree:

Terracotta Army Chocolate Pu-erh logo

We love that Kory started with one of the soldiers in the real Terracotta Army, made him chocolate, and gave him a cup of tea. He actually provided two logos for us to choose between. We picked the one above because it is clear, simple, and easy to identify even at small sizes. I actually prefer the alternative (shown below), but it’s just too complex to put on a little tea label.

Alternate Terracotta Army Pu-erh Logo

The details are what really make this one. Note the eyes on the soldier above and left of the chocolate soldier. You can almost hear him thinking “Yummy!” The one above and to the right has a similar, but more subtle expression. It’s not obvious at first glance, but if you look closely, the soldier to the right of the chocolate fellow is holding a piece of the melted/broken chocolate arm in one hand, and a cup of chocolate pu-erh tea in the other.

Thank you, Kory! Another awesome logo for the collection!

This is the latest in a collection of labels I’ve written about here before:

Far Too Good For Ordinary People


FTGFOPPart of the fun of the tea business is the names. The names of the teas themselves are wonderful — from classics like Iron Goddess of Mercy to house blends like Mr. Excellent’s Post-Apocalyptic Earl Grey — but the industry terminology is fun as well. Let’s take the “orange pekoe” grading system used for black teas from Sri Lanka (Ceylon) and India.

I can’t count the number of times someone has come into the tea bar telling me they like flavored teas. “You know, something like that Orange Pekoe stuff.”

“Actually,” I have to explain, “that’s not a style of tea, but a grade. And it has no flavorings at all. Nope. No orange in it.”

What I generally don’t go on to explain is how that whole pekoe grading system works. Let’s start with the words “orange” and “pekoe.” A pekoe is a tea bud, the unopened leaf at the very tip of a branch. A pekoe tea, then, would contain the buds and smallest leaves adjacent to the buds. To further confuse matters, the word “pekoe” in grading tea doesn’t mean quite the same thing as it means when speaking of tea buds. We’ll get to that in a moment.

“Orange,” as I mentioned above, has nothing to do with fruit. What it does actually mean is open to debate. It could refer to the color of the oxidized leaves. It could refer to the color of the brewed tea. It could refer to the Dutch royal family (the House of Orange). All that really matters is that in tea grading, any whole-leaf black tea qualifies as an Orange Pekoe.

So what about all those other letters? The joke in the tea business is that FTGFOP stands for “Far Too Good For Ordinary People.” In reality, it stands for “Fine (or Finest) Tippy Golden Flowery Orange Pekoe.” Referring to a grade of tea as the “finest” isn’t good enough, of course, so there are actually several grades above that. Here are the basic grades:

  • OP (Orange Pekoe): A whole-leaf black tea.
  • FOP (Flowery Orange Pekoe): Long leaves with some tips (pekoes).
  • GFOP (Golden Flowery Orange Pekoe): An FOP with more tips.
  • TGFOP (Tippy Golden Flowery Orange Pekoe): A GFOP with a whole lot of tips.
  • FTGFOP (Finest Tippy Golden Flowery Orange Pekoe): Traditionally the highest-quality grade of black tea.
  • SFTGFOP (Special Finest Tippy Golden Flowery Orange Pekoe): Sorry, we needed one more grade.

For the true connoisseur, a grading system can never have fine enough gradations, so you can also elevate each of these grades another half-point by adding the number “1” after it. Thus, despite the industry joke, there are three grades of tea better than FTGFOP (FTGFOP-1, SFTGFOP, and SFTGFOP-1).

Let me reinforce an important point here: this grading system is used only for black teas, and only in a few countries. China, for example, rarely grades its teas using this system, although Kenya is doing more of it as their teas increase in quality.

Are there lower grades?

I thought you’d never ask.

The majority of tea consumed in the U.S. and U.K. is in teabags. In a traditional teabag, there’s little room for the hot water to circulate or the leaves to expand as they absorb water. The solution? Break those leaves into smaller pieces. That exposes more of the surface area of the leaf to water and allows more tea (by weight) to fit into a smaller area.

OP-grade teas use whole leaves. There is a series of grades below OP that include the letter B for “Broken.” BOP (Broken Orange Pekoe), FBOP, GBOP, and so on. There are also a couple of broken grades below BOP, including BP (Broken Pekoe) and BT (Broken Tea).

So that’s what’s used in teabags? Nope. Let’s drop another grade.

After the processing facility has sorted out all of the Pekoe and Broken Pekoe grades, what’s left is known as “fannings.” Grades like PF (Pekoe Fannings), FOF (Flowery Orange Fannings), and TGFOF (Tippy Golden Flowery Orange Fannings). These are the grades used in most decent-quality teabags (high-end teabags may use whole-leaf teas, typically in a sachet-style bag).

“Decent-quality teabags?” I hear you cry. “Are you implying there’s another grade below fannings?”

Yes. Yes I am.

The smallest-sized particles of tea — too small to be fannings — are called “dust.” There are different grades of dust, of course, depending on the tea leaves they come from. You may encounter PD (Pekoe Dust), GD (Golden Dust), FD (Fine Dust), and others. Typically, though, grades like that don’t make it onto commercial packaging.

So these lower grades suck?

No, I didn’t say that.

Fannings from an extraordinary tea will produce a much better drink than whole leaves from a mediocre tea. There are a lot of factors to take into consideration, but the number one factor is your own preferences. As I’ve said before on this blog, I’m not a tea Nazi. It won’t hurt my feelings a bit if you prefer the cheapest grade of Lipton teabags to my shop’s whole-leaf FTGFOP-1 First Flush Darjeeling. In fact, it would be quite a waste of money to buy a tea you don’t like.

In a way, buying tea that’s highly-graded on the pekoe system is like buying organic. What it really tells you is that you’re dealing with a legitimate tea producer that cares enough about their product to pick it right and have it graded by experts.

The World Tea Tasting Tour at Red Lodge Books & Tea


Over the next couple of months, Red Lodge Books & Tea will be taking you on a world tour of tea with a series of tastings and classes focused on teas from all around the world. The events will be at our tea bar on Fridays from 5:00 to 6:30. At each session, we’ll taste five to seven teas from a different country as we explore a bit of the country’s geography and tea culture. I will put a quick summary of each stop on the tour up here on the blog for those who can’t attend or who don’t remember which teas we covered.

The full tour consists of:

Friday, Feb 15All the Tea in China
Friday, Mar 1Tea. Earl Grey. Hot. (England)
Friday, Mar 8It’s Always Tea Time in India
Friday, Mar 15 — Japan: Bancha to Matcha (notes Part 1 and Part 2)
Friday, Mar 22Deepest Africa: The Tea of Kenya
Friday, Mar 29The Oolongs of Taiwan
Friday, Apr 5Rooibos from South Africa
Friday, Apr 12Yerba Maté from Argentina
Friday, Apr 26 — China part II: Pu-Erh
Friday, May 3 — India part II: Masala Chai

Each class will cost $5.00, which includes the tea tasting itself and a $5.00 off coupon that can be used that night for any tea, teaware, or tea-related books that we sell.

There will be more information posted on the tea bar’s Facebook page before each event, including a list of the teas that we will taste in each event.


UPDATE MARCH 9: As I blog about each of these experiences, I’m going to create a link from this post to the post containing the outline and tasting notes. I’ve linked the first two.


UPDATE MARCH 23: I changed the dates of the last two events. There will not be a tasting on April 19.

What’s the difference between Japanese and Chinese green tea?


sencha leaves

Japanese sencha leaves

As I did last month and the month before, I took a look at some of the search terms that brought people to this blog and found a question that I didn’t really address. This time: “What’s the difference between Japanese and Chinese green tea?” The obvious smart-aleck answer is that one comes from Japan and the other comes from China, but it runs a bit deeper than that.

First off, it’s not the plants themselves. The first varietal discovered of the tea plant is Camellia sinensis var. sinensis: the Chinese tea plant. About 1400 years ago, during the Sui Dynasty, Buddhist monks introduced tea — and the tea plant — to Japan. This means that the same varietal of tea plant is growing in China and Japan.

Terroir, on the other hand, can definitely have an effect. The climate, soil, and other factors can definitely affect the taste of the tea. Also, the Japanese have been crossbreeding and developing their strains of tea plant for over a millennium.

The biggest factor in the taste, though, is a very simple one: the process.

The difference between black tea and green tea is oxidation. Black tea is fully (or near-fully) oxidized, while green tea is not oxidized at all. There is an enzyme in the tea leaf that starts the oxidation process as soon as the leaf has been broken or bruised. Making green tea requires a “kill green” step that destroys the enzyme and stops the tea from oxidizing. That step requires heating the tea leaves quickly to at least 140 degrees.

To make Japanese green teas, such as sencha, bancha, and gyokuro, the leaves are steamed. To make Chinese green teas, such as dragonwell or gunpowder tea, the leaves are pan-fired. Just this simple difference in processing gives Japanese teas a rich grassy flavor and Chinese greens more of a vegetal character.

Granted, I am oversimplifying, but this is the fundamental answer to the question.

Old familiar blends vs. creative house blends


It’s a dilemma for anyone who owns or manages a tearoom: how many different teas shall I carry and how many of them should be funky house blends? Looking at sales for 2011, our top four sellers were very traditional teas: an earl grey, a breakfast blend, a masala chai, and a Moroccan mint (note that only one of those is unflavored). The next six were all creative flavored teas.

UPDATE March 2013: Results for 2012 weren’t much different from the 2011 results cited above.

Reading that may make you think that the classics aren’t important for the tea bar, but let’s look behind those numbers:

First of all, those only reflect our bulk tea sales, not sales by the cup. I don’t have a good system in place for tracking sales by the cup — especially since we make some special by the cup blends for our regulars — but I’d guess that a lot more of our cup sales are straight traditional tea than the bulk numbers indicate. When I’m behind the bar, I sell a lot of Darjeeling, assam, sencha, silver needle, dragonwell, Scottish breakfast, jasmine green, taiguanyin, and shu pu-erh by the cup.

Second, those numbers include web sales. On the web, there are many many sources for sencha or Darjeeling, and we compete against the huge Internet retailers who can undercut our prices. On the other hand, there is only one source for our house blends like Mr. Excellent’s Post-Apocalyptic Earl Grey or Coyotes of the Purple Sage. We sell very little dragonwell on the web site compared to our house blends.

When deciding what tea to carry in your shop, the first thing to ask yourself is, who is your target audience? If you want to capture the Celestial Seasonings fan, you want to have a lot of flavored blends with colorful logos and clever names. If you want to capture the serious tea fan, you’d better have a good selection of unflavored tea of various styles and origins.

Of the styles, a casual shop would be expected to have black and green at the very least, with at least one white and one oolong. A more serious shop should expand the oolong selection significantly and add a couple more white teas and at least one or two pu-erhs. The sign of a teahouse that really caters to the connoisseur would be an extensive collection of ripe (shu) and raw (sheng) pu-erh in both loose and cake form, and a yellow tea or two.

When it comes to origins, a shop can go two different ways: specialized or generalized. It’s easy to put together a tea selection covering every style where all of the tea comes from China. It’s possible to cover the four basic styles from countries like India and Kenya, although the selection of oolongs and whites will be pretty sketchy. In my opinion, a generalized shop should have tea from, at the very least, China, Japan, Taiwan, India, Kenya, and Sri Lanka.

If you are going to offer house blends, I’ve found that they do best with unique names, preferably tied to your theme or location. Your customers can find English Breakfast and Moroccan Mint anywhere, and many would argue that you should use exactly those names so that your customers can find something familiar. On the other hand, hearty adventurers who find a tea shop in New York offering Buffalo Breakfast and Manhattan Mint are likely to come back for more if they like it instead of just grabbing generic English Breakfast and Moroccan mint at the next store they see.

You’ll want to offer some caffeine-free alternatives as well. It’s a philosophical decision whether you want to offer decaffeinated tea, naturally caffeine-free alternatives (e.g., rooibos), or both. Lately, we have a lot more customers specifically looking for rooibos. Most of them want flavored blends, but there’s enough demand to keep plain organic red and green rooibos available as well.

The bottom line is that your tea shop should reflect your personality. If people want a drab corporate-looking shop, they’ll go to Teavana. An independent tearoom should be unique, and the tea selection is even more important than the decor in conveying that uniqueness.

A Nice Cup of Tea


George Orwell press photo

British writer George Orwell

On January 12, 1946, the Evening Standard published an essay by George Orwell entitled “A Nice Cup of Tea.” Like almost everyone else in my generation, I had to read his books Nineteen Eighty-Four and Animal Farm in school. They told us a lot about society and a lot about English culture, but not much about tea.

Orwell was British, and born in 1903. These two facts tell you a lot about how he viewed tea. I’ve written before about “Tea Nazis,” who believe that their way of preparing tea is the only way to prepare tea, and this essay is a marvelous example of that philosophy in action.

He opens the essay by saying that if you look up “tea” in a cookbook it’s likely to be unmentioned. That was very true in 1946. It is less true now, but even though there are a lot of wonderful books about tea, mainstream cookbooks generally find it unnecessary to describe how to prepare a pot (or a cup) of tea.

Orwell continues by pointing out that tea is a mainstay of civilization in England, yet the “best manner of making it is a subject of violent disputes.” Judging from conversations I’ve had with British friends, I’d have to agree with that. His next paragraph sets the tone for everything that follows:

“When I look through my own recipe for the perfect cup of tea, I find no fewer than eleven outstanding points. On perhaps two of them there would be pretty general agreement, but at least four others are acutely controversial. Here are my own eleven rules, every one of which I regard as golden:”

Since in my humble opinion just about everything related to preparing tea is subjective, I’d like to present my own take on Orwell’s eleven rules. Lets look at them one at a time.

“First of all, one should use Indian or Ceylonese tea. China tea has virtues which are not to be despised nowadays — it is economical, and one can drink it without milk — but there is not much stimulation in it. One does not feel wiser, braver or more optimistic after drinking it. Anyone who has used that comforting phrase ‘a nice cup of tea’ invariably means Indian tea.”

Here, I must vehemently disagree with Mr. Orwell. Perhaps the fact that he was born in India is showing through here. There is excellent tea from China (and Japan and Kenya and Taiwan…). If you want a beverage that will make you feel “wiser, braver or more optimistic,” I would recommend tequila. If you want tea that tastes good, you can find it all over the world.

Incidentally, when Orwell refers to “Ceylonese” tea, he means tea from the country that was called Ceylon when he wrote this essay, but became Sri Lanka when it achieved independence in 1948. We still typically call tea from Sri Lanka “Ceylon” tea.

“Secondly, tea should be made in small quantities — that is, in a teapot. Tea out of an urn is always tasteless, while army tea, made in a cauldron, tastes of grease and whitewash. The teapot should be made of china or earthenware. Silver or Britannia-ware teapots produce inferior tea and enamel pots are worse; though curiously enough a pewter teapot (a rarity nowadays) is not so bad.”

He has an excellent point about the small quantities. To me, this means preparing it by the cup rather than by the pot, and there is a lot of excellent teaware available for that purpose. Although china, earthenware, and ceramic teapots do add something to the tea, using plastic or glass pots allows you to watch the tea steep. It also adds (and detracts) nothing to the flavor.

“Thirdly, the pot should be warmed beforehand. This is better done by placing it on the hob than by the usual method of swilling it out with hot water.”

I agree that pre-warming the pot helps to keep the water hot as the tea steeps.

“Fourthly, the tea should be strong. For a pot holding a quart, if you are going to fill it nearly to the brim, six heaped teaspoons would be about right. In a time of rationing, this is not an idea that can be realised on every day of the week, but I maintain that one strong cup of tea is better than twenty weak ones. All true tea-lovers not only like their tea strong, but like it a little stronger with each year that passes — a fact which is recognized in the extra ration issued to old-age pensioners.”

My biggest problem with this “rule” is the statement that “all true tea-lovers not only like their tea strong.” In fact, many tea lovers like a shorter steeping time so that the flavor of the tea isn’t overwhelmed by the bitterness and tannins that come out later in the steep.

“Fifthly, the tea should be put straight into the pot. No strainers, muslin bags or other devices to imprison the tea. In some countries teapots are fitted with little dangling baskets under the spout to catch the stray leaves, which are supposed to be harmful. Actually one can swallow tea-leaves in considerable quantities without ill effect, and if the tea is not loose in the pot it never infuses properly.”

Philosophically, he’s right. Allowing the water to circulate freely through the leaves does improve the infusion process. I do prefer not to consume the leaves (unless I’m drinking matcha), but a proper modern infuser will catch pretty much all of them.

“Sixthly, one should take the teapot to the kettle and not the other way about. The water should be actually boiling at the moment of impact, which means that one should keep it on the flame while one pours. Some people add that one should only use water that has been freshly brought to the boil, but I have never noticed that it makes any difference.”

Clearly, Mr. Orwell was aware of only one kind of tea: black. While boiling water is the right way to go for black and pu-erh tea, you get much better results with green and white tea if you use cooler water. I won’t get into the oolong debate at the moment…

The little aside that he snuck in here about freshly-boiled water is perhaps the biggest point of argument I hear from tea lovers. Does your tea really taste different if the water is heated in a microwave instead of being boiled in a teapot? Does the tea taste different if you reboil water that has been boiled before? In a blind taste test, I can’t tell the difference. Perhaps you can.

“Seventhly, after making the tea, one should stir it, or better, give the pot a good shake, afterwards allowing the leaves to settle.”

I confess. I do this.

“Eighthly, one should drink out of a good breakfast cup — that is, the cylindrical type of cup, not the flat, shallow type. The breakfast cup holds more, and with the other kind one’s tea is always half cold — before one has well started on it.”

Your cup is as personal as your clothing or your car. Most of the time, I use a 16-ounce ceramic mug made by a local potter. When I’m trying a new tea, I make the first cup in a glass mug so I can see it better. I typically use a smaller cup for matcha, a bigger one for chai lattes, and a bigger one than that for iced tea.

“Ninthly, one should pour the cream off the milk before using it for tea. Milk that is too creamy always gives tea a sickly taste.”

Unless I’m drinking chai, I do not add milk to my tea. I have made the occasional exception (I actually like milk in purple tea), but I generally prefer to taste the tea, not the milk.

“Tenthly, one should pour tea into the cup first. This is one of the most controversial points of all; indeed in every family in Britain there are probably two schools of thought on the subject.

The milk-first school can bring forward some fairly strong arguments, but I maintain that my own argument is unanswerable. This is that, by putting the tea in first and stirring as one pours, one can exactly regulate the amount of milk whereas one is liable to put in too much milk if one does it the other way round.”

When I make chai, I don’t use either of Orwell’s methods. I find that the spices extract better with the lipids in the milk present than they do in water alone. In other words, I heat the milk and add it to the water while the tea is steeping. It changes the flavor considerably.

When I’m adding milk to any other tea, I typically put it in the cup first and then add tea to it.

“Lastly, tea — unless one is drinking it in the Russian style — should be drunk without sugar. I know very well that I am in a minority here. But still, how can you call yourself a true tea-lover if you destroy the flavour of your tea by putting sugar in it? It would be equally reasonable to put in pepper or salt.”

Good point, Mr. Orwell. Now please substitute the word “milk” for “sugar” in this paragraph. Then go back and read rule nine. I don’t sweeten my tea (chai being the exception again — I like some honey in it), but I see nothing wrong with doing so. Adding a bit of sugar is no different than adding a bit of milk.

Oh, and by the way, tea was traditionally prepared in salt water in ancient China. And one of my favorite chai blends does, indeed, contain pepper.

Orwell continues…

“Tea is meant to be bitter, just as beer is meant to be bitter. If you sweeten it, you are no longer tasting the tea, you are merely tasting the sugar; you could make a very similar drink by dissolving sugar in plain hot water.

Some people would answer that they don’t like tea in itself, that they only drink it in order to be warmed and stimulated, and they need sugar to take the taste away. To those misguided people I would say: Try drinking tea without sugar for, say, a fortnight and it is very unlikely that you will ever want to ruin your tea by sweetening it again.”

Again, Orwell is speaking only of black tea here. I do not expect bitterness in, for example, a Long Jing Dragonwell green tea. And I would argue that there are a lot of fine black teas that have minimal bitterness: Royal Golden Safari from Kenya, to pick a favorite of mine.

If I had to pick one issue to argue in this essay, it would be that George Orwell considers all tea to be the same (after eliminating the majority of the world’s production by limiting himself to India and Sri Lanka). Even within the world of black tea, there is immense diversity. I don’t use the same preparation methods or expect the same results for a malty Assam tea and a delicate first flush Darjeeling — much less a smoky Chinese lapsang souchong.

My recommendation? Experiment. Try new teas, and try them first without adding milk or sweetener. Use your supplier’s recommended water temperature and steeping time. Taste the tea. THEN decide whether you want to steep it for a shorter or longer time; whether it needs a bit of milk; whether you’d prefer to sweeten it.

The best tea is your favorite tea, prepared just the way you like it.

Free tea! It doesn’t get better than that


Bag of Chinese tea

The mysterious bag of Chinese tea.

A friend of mine stopped by the tea bar the other day. Unlike most tea bar visits from friends, Wanda brought tea in with her. It was a bag of tea from China that a friend had given her. She didn’t know what it was, and she’d had it for five years, so she asked if I’d like to have it.

I cut the bag open and poured out a bit of the tea. It was full rolled leaves; not rolled tightly into balls like Dragon Tears or gunpowder tea, but pretty dense nonetheless. The leaves were hard; dropping them into bowl made a pinging sound. The color was a bit darker than a typical green tea, and the smell reminded me of the Huang Jin Gui oolong we carry at the tea bar.

I brewed a cup — using a bit more tea than I usually would because of the age — and decided it was definitely a oolong, but I couldn’t quite identify it. Good packaging, by the way. Five years old, and it still tasted good.

Here’s where Facebook comes in handy. I took a picture of the large print on the top of the bag (the photo that’s now on this page), posted it on Facebook, and asked if anyone could identify it. Within about 20 minutes, I had my answer: Iron Goddess of Mercy, a lightly oxidized oolong with a unique aroma. After enjoying it for a few days, I started hunting for a good one to carry at the tea bar, and I’m excited to have a fresh batch coming in next week. Given how good the five-year-old stuff at home is, I have a feeling I’m really going to love the fresh tea.

Iron Goddess of Mercy (called “Tae Guan Yin” in Chinese) originated in Anxi, in the Fujian province of China. Today, it is produced in quite a few other areas of China and Taiway. The one we sell at our tea bar is a medium-roasted variety from Nantou, Taiwan. I’ve used the leaves for three infusions without loss of flavor, and I’ve been told they’re good for as many as seven.

The processing of Tae Guan Yin is complex. Traditionally, it follows these steps:

  1. Picking – usually done early in the day when it is sunny
  2. Sun drying (“withering”) – Done  before sunset the same day as the picking
  3. Cooling (“cool green”) – Done overnight, along with the tossing
  4. Tossing (“shake green”)
  5. Withering/partial oxidation – Done the day after picking
  6. Fixing
  7. Rolling/kneading
  8. Drying
  9. Roasting

There are several conflicting legends regarding the origin of Iron Goddess of Mercy, all recounted on the Chinese Tea Culture site. Personally, I much prefer the Wei Yin legend. I don’t know that it has any more veracity, but it’s a better story.

Meatballs in Lapsang Souchong Cream Sauce


I’ve written about cooking with lapsang souchong here before, but we decided to try something new for the Chamber of Commerce party at the bookstore/tea bar last month (the same one where we served the Hipster Hummus and the Orange Spice Carrot Cake Muffins).

If you’re not familiar with lapsang souchong tea, it’s a Chinese black tea that’s dried in bamboo baskets over a fire made with wet pine wood. The smoke from the fire dries and cures the tea, giving it a wonderful campfire smell. I think it’s a great wake-up tea in the morning, and it adds a great flavor to meats and fish. The lapsang souchong I used in this recipe is Cascade Smokehouse, from our tea bar.

The meatballs for this recipe aren’t really as important as the sauce, because the flavors in the sauce mask the meatballs themselves. Any old meatball recipe will do. Here’s how to do the rest:

Ingredients

  • 1/4 cup butter (you can use margarine if you’d like)
  • 1/4 cup flour
  • 2 cups chicken broth
  • 1 ounce lapsang souchong loose-leaf tea
  • 1/4 tsp salt
  • 1 cup sour cream

Process

  1. Grind up the tea leaves, using a mortar & pestle or small food processor. They don’t need to be completely powdered, just broken into small pieces.
  2. Heat the chicken broth to boiling and add the tea leaves. Set aside for five minutes.
  3. In a small saucepan, melt the butter and slowly stir in the flour.
  4. Add the salt and broth (do not filter out the tea leaves).
  5. Stir over medium heat until it thickens.
  6. Remove from stove, and stir in the sour cream.
  7. Put the meatballs in a crock pot over low heat, and pour the sauce over it.

We left the meatballs and sauce in the crock pot for several hours on low heat before serving them. They went over very well!

A Tea Tasting and Class


Teapot and CupsThis article first appeared in the May 2010 issue of the Local Rag newspaper, describing a tea tasting and class I held at our bookstore before we added the tea bar.


When I was a kid, tea was something that came in bags with a little tag that said “Lipton.” Visits to a Chinese or Japanese restaurant introduced me to the “other” kind of tea: green tea. The first time I ordered tea in a nice restaurant, I encountered the fancy presentation box, containing exotic varieties of tea like chamomile, Earl Grey, English breakfast tea, and Constant Comment. In high school, I drove a delivery truck for an office supply store in Boulder, Colorado, and one of my stops was Celestial Seasonings.

By that time, I was probably a typical American tea consumer. I classified teas into herbal, green, medicinal, and “ordinary.” Not until quite some time later did I discover just how much I was missing, and in an April tea tasting at Red Lodge Books, I tried to pass on a bit of what I’ve learned. This article is a distillation of the talk I gave that day.

All “true” tea comes from the same plant: Camellia sinensis. There are three major variants. The China bush (var. sinensis), the Assam bush (var. assamica) from India, and the Java bush (var. cambodi). Within those broad categories are over 1,000 individual subvarieties. Just as red climbing roses and yellow tree roses are both roses, all of these subvarieties are still Camellia sinensis, the tea plant.

There are six generally-accepted ways to process Camellia sinensis leaves, which produce white, yellow, green, oolong, black, and pu-erh. Yellow tea is so rare that I decided not to cover it. All “true” teas have caffeine, including the delicate whites and greens. Red tea (a.k.a. African rooibos), which I’ll discuss next month, is made from a different plant that does not have caffeine.

White Tea

White tea is the least-processed, and generally lightest and sweetest-flavored tea. It is typically more expensive than black or green teas, and is recognized as having significant health benefits. It is brewed at a lower temperature, and steeped for a short time. The leaves can be re-used, to make 2-3 cups of tea from one teabag or container.

The white tea we tasted at the bookstore was Rishi’s organic Silver Needle (Bai Hao Yin Zhen), from the Fujian province of China. This tea was voted the best tea in the world at the 2008 World Tea Championships, and the best white tea in 2009. The taste is very light and subtle, and there is a wonderful jasmine-infused version available as well.

White teas start out as young budsets (an early bud with or two leaves). After picking, they are “wilted” indoors to get some of the moisture out, and then baked or panned. After a light rolling of the leaves, they are dried and packaged for shipment.

Green Tea

Green tea is the traditional tea of China and Japan. It has long been lauded for its healthiness, and intricate ceremonies have been developed around its preparation. People study the Japanese Tea Ceremony for years before performing it publicly. Like white tea, it is brewed at lower temperatures, and can yield 2-3 infusions.

The green tea we tasted was an organic Sencha from the Kagoshima Prefecture of Japan; voted the best green tea in the 2008 championships. It is a very traditional green tea, grown in volcanic soil, yielding a deep almost grassy flavor.

After picking, the leaves are steamed or panned, rolled, and then dried. Sometimes, they’ll be formed into balls or other shapes before drying.

Oolong Tea

Oolong is a very highly-processed tea; one of the most complex to produce. It is generally flavorful and rich without the bitterness often associated with black teas. Unlike green and white teas, the leaves are partially oxidized, which darkens the color and intensifies the flavor.

We tasted an organic Wuyi Oolong. The Wuyi Mountains in Northern Fujian are where oolong tea was first produced, and this variety has a roasted aroma, complex flavor, and sweet finish.

To make oolong tea, the freshly-picked leaves are first wilted (partially dried) in the sun, and then again indoors. They are tossed in a basket to bruise them, and then partially oxidized (typically anywhere from 30-70%). After oxidation, the leaves are baked or panned, and then rolled. The final steps are drying and firing, which produces the smoky aroma.

Black Tea

By far the most common type of tea in Europe and India, black tea is usually brewed hot and strong. Many cultures serve it with milk, sugar, or both to mitigate its inherent bitterness, and it is often flavored with lemon, orange, or other spices (Red Lodge Books has a fascinating vanilla black tea). Black tea flavored with bergamot is known as “Earl Grey.” Black teas are also the basis of English and Irish breakfast tea. Unlike white, green, and oolong teas, black teas are generally only infused once: use the leaves and discard them.

At the tasting, we had Rishi’s organic fair-trade China Breakfast, which won “best breakfast blend” at the 2009 World Tea Championships. It’s rich, malty, and robust; great for the first cup of the morning.

Black teas are usually made with an indoor wilting, followed by a cutting or crushing step. This can range from a light crush to a full “CTC” (crush-tear-curl). This exposes more of the leaf’s insides to assist in oxidation. Black teas are 100% oxidized, yielding higher caffeine content and stronger flavor. Following oxidation, leaves are rolled and dried.

Pu-Erh

This is probably the least familiar process to Americans, but it has been around in China for centuries. What differentiates it from black or oolong tea is a fermentation step at the end of processing. Although the term “fermented” is often incorrectly used instead of “oxidizing” for black teas, pu-erh is the only variety that is actually fermented.

2009 Tong Qing Tang

A cake of 2009 Tong Qing Tang Pu-erh tea.

If you’ve ever had a mulch pile, you’re familiar with the process: plant matter is piled up wet, and left alone. The inside of the pile grows hotter as it ferments. Unlike most teas, which are served as fresh as possible, pu-erh is often compressed into cakes (sometimes immense bricks) that can be stored for years. Century-old pu-erh cakes are sold at auctions for thousands of dollars.

Pu-erh is brewed in boiling hot water, and can be re-infused at least 6-8 times. I’ve used leaves ten times and still gotten good flavor from the tenth infusion.

At the tasting, we had a classic loose-leaf organic fair-trade pu-erh from Yunnan, China. The flavor was earthy and rich. The description may seem off-putting to some, but it’s definitely worth trying a good pu-erh.

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